Archives

Forum Medicum

Learning, life and research
Interior Design
Education
Client: Lunds universitet
Years of Construction: 2018–2024
Area: Area: 21,000 sqm (12,000 sqm new construction and 9,000 sqm renovation)
Collaborators: Bröderna Perssons Specialsnickeri
Certification: Miljöbyggnad Guld
Photografer: Mads Frederik

At Forum Medicum, Lund University’s Faculty of Medicine has gathered its education and research in medicine, health and care into one shared space. Situated right next to the university hospital, this is the first time Lund University has a unified home for its health sciences and biomedical programs.

Through a combination of new construction and careful renovation, 21,000 square meters have been filled with state-of-the-art classrooms, offices, study zones and social areas. It’s a place for 170 research groups, 1,600 employees and 2,000 students – a dynamic environment where knowledge and ideas are exchanged every day.

Spaces for different minds

The power of choice makes a difference.

“The students were clear – they wanted plenty of varied places to study. And that’s what they got. There are large tables for groups, quiet nooks for solo work, study areas in the lively foyer, and secluded corners to retreat to. It’s a great feeling to visit and see how the students use the space, both to study and socialize,” says Elin Alm, Lead Interior Architect.

An interior that lasts – for the eye, the body and the future

Forum Medicum is home to a broad mix of rooms and functions – from high-tech ALC classrooms (Active Learning Classrooms) to method rooms where students practice in realistic hospital environments. To connect it all, we developed a cohesive and sustainable interior concept that unites materials and colors throughout the building. The continuity in furniture and finishes makes it easier to adapt spaces over time – and extends the life of the furniture.

“The style is consistent across the building. We didn’t want it to be a big deal if a chair ended up in the wrong room at the end of the day. With so many students on the move, it will happen. So instead, we made sure that the materials and colors go well together – without everything looking the same,” Elin explains.

The scale of the project is worth mentioning: 8,700 pieces of furniture. Thanks to digital tools, we were able to organize procurement, layouts and adjustments along the way – a key factor in keeping things on track.

Custom interiors for a specialized environment

When research and education share the same spaces, smart solutions are essential. At Forum Medicum, we worked with pine plywood – a material that recurs throughout the building, creating warmth and a sense of unity. Linoleum tabletops and custom-designed AV stands for screens and whiteboards are built into the architecture, solving technical challenges while adding character.

Art as part of the architecture

Here, art is integrated into the environment. Three monumental wall pieces by artist Ylva Snöfrid stretch through the building, created in collaboration with Public Art Agency Sweden. The color palette, materials and furniture were all selected to highlight both the art and the architecture. Together, they form an environment that feels considered, vibrant and inspiring.

Forum Medicum is certified at the highest level of Sweden’s Miljöbyggnad sustainability standard – Gold. It’s one of Lund University’s largest joint investments with Akademiska Hus. A project that brings students and researchers together, and sets a new standard for flexible, sustainable learning environments.

Contact person

Elin Alm

+46 732 01 81 21

Lund District Court

Designed for security and serenity
Interior Design
Offices
Client:
Years: 2015-2019
BTA: Approx. 10,000 m² (12,400 m² in total)
Collaborators: Bröderna Perssons Specialsnickeri, Bromölla
House architect: FOJAB Arkitekter
Photographer: Felix Gerlach

In the award-winning courthouse next to the railway tracks in Lund, Tengbom was entrusted with designing the interiors. The result is a series of harmonious, functional spaces where materials and colours draw inspiration from the four elements. Welcome to Lund District Court.

Commissioned by the Swedish National Courts Administration, Tengbom created an interior concept that balances calmness, dignity, and functionality. Courtrooms, offices, and meeting rooms feature a coordinated palette of materials and colours, reinforcing a sense of order and serenity.

The design manual, which ensures consistency across the building, builds on the courthouse’s distinctive materials, focusing on copper, brass, and ash wood. The team custom-designed many furnishings to meet the building’s unique security and functional requirements.

Earth, fire, water, and air

The colour scheme is inspired by the four elements, with deep, grounding tones bringing warmth and contrasting light materials creating a sense of openness. The use of ash wood and lustrous textiles enhances the interplay between these elements. Each office features a consistent base design of desks, storage, and seating, but varies in colour to introduce subtle differentiation. Meeting rooms have distinct colour themes, yet remain visually cohesive. In common areas such as the library, archives, and copy rooms, the palette shifts to more monochrome tones, with custom-designed furniture enhancing the refined atmosphere.

“The high-level meeting room, Knutsikten, is the building’s pride, offering a panoramic view. To highlight its unique shape, we designed a large, custom-made rug in contrasting colour blocks, creating a striking central element in the space,” says Elin Alm, interior architect at Tengbom.

Security meets well-being

Given the sensitive nature of court proceedings, the team prioritised security and discretion in every aspect of the interior. They carefully selected colours and materials to balance formality with comfort while maintaining a welcoming atmosphere.

One of the courtrooms in Lund district court.

Blending advanced security with refined design

Detail of metal bands inserted in specially designed interior.

Lund District Court incorporates fixed furniture, concealed technical installations, and reinforced structures for security. The team carefully designed the courtroom interiors to integrate microphones, alarms, and security systems without disrupting the architectural aesthetic.

The custom horseshoe-shaped desks in the courtrooms hide state-of-the-art technology. They combine white-stained solid ash with thin metal inlays, reflecting the courthouse’s copper-clad façade.

“Despite the building’s scale, the coordinated colours, varied furnishings, and carefully chosen materials create a sense of cohesion and comfort. Staff and visitors notice it. They appreciate it, too,” concludes Elin Alm.

Contact person

Emma Nilsby

+46 40 641 31 43

Widerströmska Upper Secondary School

From lab to creative learning environment
Interior Design
Education, Health, Life Science
Client: SveaNor/Hemsö & Huddinge kommun, Veidekke
Location: Flemingsberg
Years: 2017-2019
Construction operator: Veidekke
Interior design: LINK Arkitektur
Project type: Upper secondary school (Gymnasieskola)

A mix of natural sciences, technology, health, and entrepreneurship. A foundation for collaboration and innovation. A modern school and an inspiring workplace. That’s the essence of Widerströmska Upper Secondary School in Huddinge.

Just like the NEO and Technology and Health buildings, Widerströmska is part of the life science cluster that has taken shape in Campus Flemingsberg in recent years. Tengbom has been the lead architect for approximately 50,000 square metres here between 2012 and 2019.

The school, named after Karolina Widerström, Sweden’s first female medical doctor, now occupies one floor of the NEO building. Here, future researchers and entrepreneurs learn in close collaboration with the academic and healthcare institutions surrounding them.

Widerströmska upper secondary school’s entrance. Photo: Felix Gerlach

A life science hub for future innovators

Bright and inspiring classrooms

Inside, light, space, colour, and openness define the NEO building—and these qualities also shape the school’s interior. While the upper floors house cutting-edge research labs for Karolinska Institutet, the Widerströmska floor is designed to be a creative and inspiring learning environment.

Students and teachers can write directly on the walls, and large glass partitions ensure that natural daylight reaches every corner of the study spaces. A yellow-green carpet, running through all the classrooms, enhances the brightness even further.

Design details create a cohesive identity

In collaboration with LINK Interior Architecture, Tengbom developed a material and colour scheme that aligns with the identity of the rest of the NEO building. Subtle design details connect the school’s interiors with the upper floors, including spiral staircases and accent colours in ceilings, doorways, and furniture.

A safe and social learning environment

Beyond classrooms and lecture halls, the school features a central gathering space known as Arenan, as well as a gym, science labs, café, multipurpose hall, and staff rooms.

A key priority in the project has been to foster a sense of social security and community. The spatial layout encourages interaction between students and teachers, with transparent environments and open sightlines.

“There are no hidden corners anywhere. Staff rooms are evenly distributed throughout the school, where students naturally spend their time.”

The school’s entrance and spaces. Photo: Felix Gerlach

Contact person

Anna Morén

+46 841 03 54 47

Sture Chair

A newly written piece of history
Interior Design
Product Design
Client: Stol AB
Assignment year: 2017
Mission type: Chair

Sture is a modern spindle-back chair in solid wood, designed for Stolab. A classic reinterpreted for future generations—crafted with cutting-edge production techniques.

Following a visit to Stolab’s factory, where Tengbom’s furniture designer Mathieu Gustafsson experienced the company’s craftsmanship up close, the creative framework for Sture took shape. The concept? A solid wood chair using spindle-back techniques, but with a fresh expression—tailored to Stolab’s advanced production line, which allows for soft, flowing forms.

A reflection of Stolab’s values

Sture embodies Stolab’s identity, built on a foundation of material expertise and craftsmanship. Tengbom’s designers embraced this legacy while pushing the boundaries of both form and function. The result is a chair with a contemporary aesthetic and a bold construction. With a slightly flexible backrest, Sture offers both comfort and versatility, making it suitable for a variety of settings.

A new take on tradition

Stability meets innovation

Like a traditional spindle-back chair, Sture’s construction is centred around the seat, where the legs and backrest connect. While the attachment technique may look familiar, it is, in fact, entirely new—developed through a close dialogue between designer and manufacturer. The result is an exceptionally stable chair, with legs that are both screwed and glued for added durability. These joints provide essential strength while also becoming a defining design feature.

Designed for versatility

Sture was launched at Stockholm Furniture Fair 2017 in two models: one with a solid wood backrest and one as an armchair. Both are available in birch and oak, showcasing the timeless beauty of natural materials.

Contact person

Kristina Jonasson

+46 708 23 14 33

Tengbom Chair

A chair for all times
Interior Design
Product Design
Client: Tengbom
Producer: Tengbom
Assignment year: 2016

Minimalist yet full of character—this is how one might describe the Tengbom Chair, originally designed for our offices at Slussen in Stockholm.

The Tengbom Chair wasn’t meant to exist. The plan was to furnish our newly designed office with a beautiful 1950s chair, not to create an entirely new piece. But then, product designer Mathieu Gustafsson had a thought—wouldn’t it be great to design a chair specifically for this space? The answer was yes.

“The chair is part of the overall interior concept, which draws inspiration from a workshop environment—a reflection of how we work. It was never about flashy design, but about creating tools for our daily routines,” says Mathieu Gustafsson, naturally seated on a Tengbom Chair.

The Tengbom Chair – a tool for everyday life

As the office interior took shape, the question of seating arose. The space featured workshop-style shelving, rubber flooring, and cork-clad rooms—all designed to be functional and inviting. Initially, the plan was to source a simple, stackable chair. The interior architects had all but decided on an existing model when Mathieu’s enthusiasm took over. His brief? To design a chair that was understated, calm, and free from unnecessary details.

“The original chair had more presence—the backrest stood out, the legs were more angled. It had character. The Tengbom Chair is more restrained. Just like our shelves, which are meant to display what’s on them rather than stand out themselves, the chair serves its purpose as a natural part of the space—just another tool in the room.”

Removing character was what gave the chair its character

An instant favourite

The chair had to meet high demands—and be ready fast. The production was handled by Mitab in Småland, who managed to deliver high-quality chairs in record time, just in time for move-in day. (Although, not quite all of them arrived in time for the photoshoot, which led to some creative chair-swapping to make sure they appeared in every shot!)

Despite not being part of Mitab’s regular collection, the Tengbom Chair has sparked curiosity. People keep asking: What finishes are available? How much does it cost? Can I order one today?

“Originally, we weren’t going to make a chair at all. Then, it was meant to exist only in our office. But now, since it’s already become so popular, there’s a good chance we’ll start incorporating it into future projects. With different colours and materials, it could work in all sorts of environments,” says Mathieu Gustafsson.

A stripped-back process

It’s no surprise the chair has gained attention. With its clear, honest construction—a pop-riveted, stained, moulded plywood back, a steel frame, and an upholstered seat—it’s a natural fit for our office but could just as easily belong in a restaurant. And it’s comfortable, too.

“What made this process unique was that I aimed to remove character. Usually, design is about adding personality. Here, I wanted to strip things back to reinforce our concept. Removing character was what gave the chair its character. That was a first for me,” concludes Mathieu Gustafsson, standing up from the chair that wasn’t supposed to exist.

Contact person

Kristina Jonasson

+46 708 23 14 33

Högalidskyrkan by Ivar Tengbom

A tribute to timeless architecture
Architecture, Interior Design
Culture
Client: Church of Sweden
Location: Hornstull, Stockholm
Construction years: 1917–1923

A Stockholm icon. A piece of art and cultural heritage. One of Sweden’s most significant buildings from the National Romantic era. An architectural masterpiece designed by Tengbom’s founder, Ivar Tengbom. Since 1923, Högalidskyrkan has stood peacefully on Högalidsberget, surrounded by lush parkland, overlooking the city.

In the late 19th century, Stockholm’s western Södermalm experienced a population surge, creating a need for a new church. In 1905, Maria Magdalena Parish designated Högalidsberget for a chapel, and in 1913, Ivar Tengbom was chosen to design it. On June 10, 1923, Högalidskyrkan was inaugurated, two weeks before Ragnar Östberg’s City Hall opened across Riddarfjärden—a competition Tengbom notably placed second in.

Photo: Sten-Åke Stenberg

An urban sanctuary of serenity

Photo: Catharina Fredrikson, Church of Sweden

When Ivar presented his proposal, many raised their eyebrows. The design broke the norms of traditional Swedish church aesthetics of the time and faced some criticism for its modernist architecture—particularly due to the two slender towers, whose verticality would dramatically contrast with the nave and reach toward the sky to claim an influential place in Stockholm’s skyline. After a few revisions, however, the proposal was approved, and Södermalm would gain its spiritual gathering point. In 1917, the first stone was laid.

Breaking with tradition

Högalidskyrkan became, for many, a symbol of the modern era. Unlike the ornate church buildings of the time, Ivar used clean lines, geometric forms, and simple materials that gave the church a sense of simplicity and elegance. Instead of stone or wood, concrete and brick were used, imparting a modern and natural character to the building—a radical shift in material choices. The tall windows, allowing abundant light to flood the interior and reflect within, enhanced the spiritual atmosphere. Meanwhile, the functional layout, with the pulpit centrally placed, both facilitated communication and strengthened the sense of community among the church’s members.

Photo: Catharina Fredrikson, Svenska kyrkan

A national romantic basilica

Högalidskyrkan
Photo: Catharina Fredrikson, Svenska kyrkan

Ivar’s proposal was based on the form of a long nave church, a so-called basilica—designed with a central nave and side aisles. Dark red, hand-molded brick from Mälardalen’s brickworks clad the long nave structure, featuring a narrower, straight-ended chancel, flanked by octagonal twin towers. Together with the projecting gables and the pointed vaults of the roof, the church claimed a prominent place in the cityscape, perched on Högalidsberget’s highest plateau. The main portal, made of dark, carved granite, creates a striking contrast with the red brick. The exterior exudes a sense of monumentality through its authentic material craftsmanship.

The central nave is clearly divided from the side aisles by tall columns, which create rhythm and symmetry within the church interior. The form emphasizes the prominence of both the pulpit and the chancel in the church space. From the narthex—the first room visitors enter—the chancel and the large symbolic triumphal crucifix immediately draw the eye.

Towers shaping the cityscape

The church’s twin towers rise 84 meters, with their spires reaching 105 meters above Lake Mälaren’s waterline—matching the height of the gilded crowns atop City Hall’s tower.

As Tengbom himself said:

The towers have distinct purposes: the somber northern tower, crowned with a rooster, represents God’s law and houses a baptismal chapel on its ground floor. The southern tower, with its golden cross, symbolizes the gospel and spreads its message through the sound of its bells.

Photo: Catharina Fredrikson, Svenska kyrkan

A total work of art in cathedral form

Through the narthex, visitors enter the single-aisle vaulted church space, embraced by a sophisticated gray-toned plastered wall surface. Together with the breathtaking height up to the ceiling, the openness, spaciousness, and cathedral-like atmosphere become palpable. Tall buttresses on either side form arched niches, whose high windows help to soften the light entering from outside, showcasing a masterfully executed play of light. At the same time, the many artistic and crafted details create a sense of intimacy and closeness to the spiritual.

The interior, fixed furnishings, and artistic decorations represent various artistic styles and time periods. Here, one finds inspiration from both medieval and baroque forms. Ivar designed most of the fixed objects, such as the organ gallery, pulpit, iron gates to the baptismal chapel, and the lighting fixtures. However, he also collaborated with the most prominent artists and craftsmen of the time, including Gunnar Torhamn, Isaac Grünewald, Olle Hjortzberg, Erik Jerken, and Einar Forseth. To ensure the creative collaboration worked smoothly and seamlessly, a building workshop was established around the church, where the team worked side by side.

Photo: Sten-Åke Stenberg

Timeless cultural and historical value

Inaugurated by Archbishop Nathan Söderblom on June 10, 1923, Högalidskyrkan remains a vital cultural and spiritual landmark. From March 2021 to June 2023, Högalidskyrkan underwent a comprehensive renovation. The general contractor, In3prenör, and project managers KFS, along with the client Högalid Parish, ensured the building’s future while preserving its heritage. On June 10, 2023, the eagerly awaited reopening celebrated the church’s 100th anniversary.

Contact person

Mia Lindberg

+46 8 410 354 93

JOIN outdoor furniture series

The outdoors, reinvented
Interior Design
Product Design
Client: Available for purchase via Nola Industrier AB
Assignment year: 2023
Producer: Nola Industrier AB

How many times have you had to rely on sheer arm strength to rearrange outdoor furniture on your terrace or in the yard? Forget about it with our JOIN furniture series. Moving and rearranging should be as easy as it is fun to spend time outdoors.

JOIN, an outdoor furniture series, was conceived by landscape architect Hannah Marshall at Tengbom in collaboration with product designer Mathieu Gustafsson. Nola Industrier AB further developed and refined the series, which became available for purchase in fall 2023. JOIN celebrates flexibility, functionality, and aesthetics, proving that outdoor spaces can be as dynamic as they are stylish.

Flexibility and functionality – combine as you like

Perfect for terraces, patios, and courtyards, the series includes benches, tables, side tables, stools in multiple sizes, and hanging tabletops that attach to the planter at two different heights to match table levels. The green planter boxes on wheels work as dividers or standalone islands. The idea is to combine series elements in countless ways, tailored to various events, needs, and spaces. Flexibility, adaptability, and function take center stage – the only limitation is your imagination.

Roll, rearrange, relax

Practicing what we preach: JOIN at Tengbom’s terrace

The idea for the JOIN series originated from a need for functional, attractive outdoor furniture for Tengbom’s former Stockholm office’s rooftop terrace on Katarinavägen. When we relocated to Vasastan, the furniture naturally came along to enhance our new courtyard. Sometimes we need a large setup for an event, other times fewer pieces for a more private lunch. A table can be a table, or it might function as an exhibition piece. A stool might serve as seating or as a smaller serving table.

Designed for change

Flexibility is at the heart of JOIN, along with simplicity and lightness. The pieces feature lightweight constructions, making them easy to rearrange as needed. Each component has adjustable feet, ensuring stable placement even on uneven surfaces. Made from high-quality, durable steel with surfaces of wood (oak) and sheet metal, the planters are crafted from aluminum. Perforated patterns on the metal surfaces add a playful touch and create a cohesive aesthetic across the series. The result is a warm, inviting collection that feels equal parts robust and approachable.

A fun collab between Tengbom + Nola!

Contact person

Linus Fridén

+46 133 55 533

E.ON Nordic Headquarters

A journey through sweden
Interior Design
Offices
Client: E.ON
Location: Malmö
Project duration: 2017–2023
Partners: Bröderna Perssons Specialsnickeri AB, Input interiör, Gustafs panel, Målerås glasbruk, LSI Group snickeri
Photographer: Mads Frederik

Natural power and creative energy were the key concepts behind E.ON’s new Nordic headquarters in Malmö. Tengbom designed the interiors, creating a space that takes employees and visitors on a journey through Sweden’s diverse landscapes.

Starting with open fields and warm coastal cliffs energized by the sea, the journey ascends through lush forests, sparkling streams, and ends in the stark beauty of mountainous terrain, adorned with vibrant mosses, lichens, and rushing waterfalls. Materials and textures range from warm and soft to cool and austere.

“The concept of natural power guided the entire design process. Sustainability and reuse have been a red thread throughout,” says Frida Axelsson, Tengbom’s design lead and interior architect for the project. “We focused on materials’ life cycles and production methods, ensuring timeless and adaptable design.”

E.ON’s commitment to sustainability resonates in the physical environment.

“Our ambitions for sustainability have been high from the start,” explains Linda Palac, E.ON’s project manager. “Our goal was to reuse as much furniture as possible. It’s been challenging but rewarding. Our office is vibrant, seamlessly integrating old furniture with new, sustainable elements.”

Natural power for a sustainable future

E.ON’s mission is to innovate and provide smart energy solutions, contributing to a sustainable society. Their new office supports this goal. Located in Nyhamnen, Malmö, near the central station, the building is set to achieve WELL Building Standard Platinum (Core & Shell and Tenant), emphasizing health and well-being, and BREEAM Outstanding, the highest standard for sustainable construction.

Almost all loose furnishings are reused, minimizing environmental impact. Curtains, upholstery, and carpets are made from recycled materials.

A spatial journey across swedish landscapes

The journey begins in the basement with rocky foundations, ascending to sunlit oat fields on the entrance floor. Subsequent levels feature coastal cliffs, airy forests, deep woods with mountain views, and culminate in a sparkling mountain peak at the top.

“We created distinct forms and palettes for each level, encouraging exploration,” says Frida. “The variation aids navigation in this large building, making each floor unique yet cohesive.”

Barista bar with a pop of raspberry

At the entrance, a reception area greets visitors with a five-meter-high wall of custom wooden slats and a light-playing wallpaper inspired by sunflower seeds. On the third floor, a striking barista bar stands out with a raspberry-colored front made of hand-cast, backlit glass spheres from Småland.

“Every detail is deliberate,” says Frida. “We designed the space for coffee breaks and spontaneous meetings, balancing closed and open areas while maintaining sightlines through the thoroughfare.”

Task or mood-based rooms

The office fosters an activity-based work environment, supporting 1,800 employees with diverse needs. Quiet zones, phone booths, and meeting rooms ensure adaptability.

“The office is a space for lively discussions, focus, and relaxation,” says Maeva Chardon, Tengbom’s lead architect. “Movement, nature views, and varied textures promote well-being, aligning with WELL criteria.”

Custom fixtures and sustainability

Tengbom designed all fixed furnishings, from benches to lockers, and collaborated with local joineries for production. Many elements are unique to this office, combining innovation with sustainability.

Contact person

Maeva Chardon

Interior Architect
+46 721 73 23 29

Borås Congress

A transformed meeting house
Architecture, Interior Design
Building Preservation & Restoration, Culture
Client: City of Borås
Location: Borås
Assignment Years: 2012-2019
Awards: Nominated for the Borås City Urban Design Award 2022
Photographer: Åke E:son Lindman

It began with a simple sketch amidst fierce international competition, and the rest is history—and the future. Originally built in 1939 as Folkets Hus in Borås, the building was refined by Tengbom and reopened in 2018 as Borås Congress—a modern conference facility that preserves the values of its past.

Following a challenging prequalification process involving 60 architectural firms from around the world, Tengbom advanced to an invited design competition. The battle for Borås Congress had begun in earnest, and it was time to flex some muscles—or was it? Amidst advanced visualizations and meticulously packaged concepts, a simple hand sketch by Bo Karlberg stood out. In 2012, it became clear that the assignment was ours.

“We were entrusted with the project because we understood both the architecture and the business.”

“The proposal focused on developing a state-of-the-art conference facility for the entire region, restoring Gunnar Nilsson’s modernist entrance motif, and maintaining the building’s role as a community gathering place in Borås,” Bo explains.

Borås CongressBorås Congress

Accessible and flexible for all types of meetings

While the starting point for the project was preservation, the goal was to create a modern meeting place. Today, Borås Congress is one of the few Swedish buildings specifically designed for meetings, as opposed to many concert halls and arenas across the country.

The facility offers everything from intimate rooms for small gatherings to larger conference spaces for up to 1,000 guests. The building’s character is present throughout, as are its newfound flexibility and accessibility. The number of levels in the block was reduced from 36 to just 7 (!), and the floors were designed to allow for multiple events of different kinds to occur simultaneously.

Borås CongressBorås Congress

Borås Congress – a bridge between past and present

The new congress building spans an entire block across four volumes. Along Österlånggatan, Gunnar Nilsson’s bold entrance motif—carefully restored from layers of 1980s cladding—once again aligns with the iconic functionalist buildings of Borås.

Along Allégatan, the architecture adopts a more subdued and scaled-down character. In contrast, the new performance and hall volume, with its main entrance facing Robert Nilsson’s Place, makes a bold impression. Its shimmering facade of gold-anodized expanded metal stands out against a deep blue backdrop.

At the transition between old and new lies the glass wedge housing the congress foyer. Here, stucco lustro, an ancient Italian marbleizing technique, meets ultramodern pre-printed glass railings. The result is a meeting place that is both exciting and symbolic.

“It’s a powerful feeling to see visitors gathering and connecting here today,” Bo concludes. “That has always been the goal of the project for nearly a decade: the meeting of people.”

Contact person

Jerker Kryander

Practice Director
+46 31 775 52 28

Croisette Headquarters

Power pink please
Interior Design
Offices
Client: Croisette Real Estate Partner
Location: Malmö
Completion: 2023
GFA: 830 sqm
Photographer: Mads Frederik

“Less is more” was never the guiding principle for the global real estate advisory firm Croisette when designing their new Malmö headquarters. Instead, the ambition was to push boundaries, resulting in a bold interior concept for the Croisette Tower developed by Tengbom.

“It’s rare for the client to want to challenge conventions more than we do—it made the project incredibly fun,” says Josefin Klein, lead architect and office manager at Tengbom Malmö. “We’ve broken almost every classical interior design rule for this assignment.”

A concept built on power pink

The design concept, aptly named “Power Pink Please,” reflects Croisette’s pioneering and expanding business. The word “Power” embodies their leadership, while “Pink” is an obvious nod to the company’s visual identity—a color representing playfulness and boldness. And “Please”?

“‘Please’ reflects the humility Croisette brings to their projects and partnerships,” explains Josefin. “They emphasize mutual collaboration in all they do.”

Breaking industry norms

Croisette Real Estate Partner is a trusted property advisor operating in Sweden, Iceland, Denmark, and Finland, with their global headquarters in Malmö. The building housing their offices, Croisette Tower in Hyllie, is owned by JöLa Invest AB. Croisette not only leases the top floor—spanning 830 square meters—but also manages the building’s leases.

A daring mix of color and sustainability

The new office features a spectacular blend of pink hues, repurposed furniture, and inventive solutions. A champagne cooler adds a touch of exclusivity—because, why not? By reusing as much furniture as possible from their former office, Croisette has demonstrated that sustainability and bold design can coexist.

Not your standard kitchenette

In the kitchen, reused sofas, tables, and chairs pair with a central island that discreetly integrates microwaves and refrigerators. The kitchen floor is covered in experimental herringbone parquet, made by Bjelin, in a vibrant pink pattern. Each piece is individually stained in six shades of pink. The kitchen serves as the heart of the workplace and doubles as an event space for clients.

A public and a private section

The office ceiling is, of course, pink. In the work areas, a translucent stretch metal covers the ceiling. Other sections feature suspended ceilings made of wood wool, a material available in any color. The team spray-painted the remaining ceiling installations in the same shade. A more secluded office section features wall-to-wall carpeting—guess the color? One meeting room stands out with a special ceiling where textile installations, resembling ties, hang in varying lengths and shades.

Reused interior design

The office isn’t just pink—it’s also sustainable. For this project, Croisette reused as much furniture as possible from their previous office. The chosen materials are durable and easy to maintain. For Croisette, taking responsibility for environmental impact is crucial, proving that it’s possible to create an outstanding workplace with minimal waste.

“We want to show that we are a company unafraid to stand out. Our office reflects our passion, creativity, and vision. I also based the concept on a theory that pink symbolizes limitless possibilities, which I think is a perfect representation of the company. Nothing has been left to chance, and we hope our office will inspire both clients and colleagues in the industry,” says Per Svensson, CEO and Founder of Croisette.

The office made it to the finals in the Sweden’s Most Beautiful Office 2023 competition, organized by Lokalnytt, Fastighetssverige, and Nordic Property News. Croisette moved into their new office in May 2023.

Contact person

Josefin Klein

Lead Architect
+46 40 641 31 18