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Malmö morgue

To death, we are all equal
Architecture
Health
Client: Region Skåne
Location: Malmö new hospital area
Developer: Peab
Project years: 2016–2021
Environmental certification: Miljöbyggnad Silver
Photography: Mads Frederik

The Malmö morgue needed to be renewed, both in size and to align with contemporary needs. A morgue is a place for everyone’s grief and final goodbyes, regardless of religious or social affiliation—while still functioning as a modern workplace.

The new zinc-clad building reaches its lowest point where it connects to the chapel made of Limhamn brick. A glass corridor featuring art photography etched into the glass links the two structures. Photo: Mads Frederik

Malmö is one of Sweden’s largest cities, and its morgue is designed to be a neutral space welcoming everyone, regardless of religion, age, or social standing. It serves as a serene environment for relatives to bid a final farewell. The project is part of the new Malmö Hospital Area and includes a new building as well as an upgrade of the morgue alongside the existing chapel.

180 nationalities will say goodbye here

Anyone registered in Malmö who passes away—regardless of where they are in the world—will come to Malmö morgue. The building is designed to accommodate around 180 different nationalities from Malmö on equal terms. Throughout the project, the city’s residents, users, funeral directors, and employees were engaged in workshops to ensure a building that welcomes all. Creating a religiously neutral space was particularly important, where people of varying backgrounds, ages, and beliefs can gather. Symbols or elements associated with specific religions have been deliberately avoided—even in the building’s exterior and materials.

In the stairwell leading down to the mortuary coolers, strategically placed windows allow staff to look outside and connect with nature, even while working in the basement. Photo: Mads Frederik

New, preserved, and sustainable on three levels

The building has three levels. At the rear, the top floor houses a technical room, deliberately distanced from the chapel. The basement contains rooms with body refrigerators for deceased storage. The ground floor is where farewells take place, in viewing rooms and washing rooms. Additionally, there are offices for employees and workspaces, along with a garage for funeral directors.

The older chapel connected to the morgue has been preserved. Internally, old brick walls have been maintained and highlighted. Artistic features have been integrated into the building, serving not only as aesthetic elements but also offering privacy, contrast marking, and improved orientation. The new materials used also emphasize sustainability. Granite flooring, oak, and raw concrete are materials chosen for their longevity and dignified aging over time. Malmö Morgue is the first in Sweden to use Azengar zinc panels, a material that shimmers with the changing weather and light conditions.

People express their grief in different ways, and there must be room for this.

The window recesses are framed in oak, the same material as the original bench. The pigment in the concrete brings the surface to life, giving it an almost marbled appearance despite being completely untreated. Photo: Mads Frederik

Calm vegetation in views

Designing modern spaces for farewells is no easy task. Integrating the older chapel into the new morgue made the challenge even greater. However, small adjustments can significantly change what a building conveys, with inspiration drawn from spaces like art galleries rather than religious structures.

“The room shapes in the morgue differ from traditional religious spaces. We’ve worked to remove the focus from the former altar, which was central, and been careful not to introduce any new religious directions. A common example is marking a direction toward Mecca, which we deliberately avoided,” says Helena Beckman, lead architect.

“Lighting is another crucial design component. Window shapes and placements were studied carefully to bring natural light and beautiful views into the rooms, while maintaining privacy in the viewing rooms. For instance, if light comes from above, it evokes something divine, which we wanted to avoid. The focus should be on the deceased, with opportunities for soothing views of vegetation or the sky,” Helena Beckman continues.

Grief takes different forms

To create a calm, contemplative atmosphere, we chose materials that age naturally and beautifully and have long lifespans. The public spaces on the entry-level floor include viewing rooms where loved ones can say goodbye.

“Someone may need to stay for a long time, and others should be able to sit and chat without disturbing them,” says Helena Beckman. There should also be a waiting room or consultation room directly connected to the viewing rooms, offering a place for quiet retreat.

Different cultures may have different needs. Sometimes, for instance, a large number of people gather for farewells, necessitating separate entrances and exits to avoid crowding. People express their grief in various ways, and there must be space for this. Malmö’s new morgue provides just that.

 

Contact person

The Matchstick Palace

Ivar Tengbom Arch. 1928
The matchstick palace
Architecture
Client: Ivar Kreuger
Location: Västra Trädgårdsgatan 15, Stockholm
Construction period: 1926–1928
Structural engineer: Henrik Kreüger and his consulting firm
Builder: Kreuger & Toll Construction AB
Collaborators: A host of Sweden’s leading artists, designers, and craftsmen

The Matchstick Palace cemented Ivar Tengbom’s place in Swedish architectural history. This historically blue-classified building stands as a benchmark of 1920s Classicism and Swedish Grace, blending technical and aesthetic innovation. Join us as we guide you through this timeless legacy of craftsmanship, elegance, and a balanced artistic mélange.

Portico in polished Vätö granite with Egyptian influences. Photographer: Holger Ellgaard

A headquarters of Swedish Grace

The Matchstick Palace was erected as the headquarters for Svenska Tändsticks Aktiebolaget, the core of Ivar Kreuger’s empire. Completed in just two years, the building exemplifies 1920s Swedish Classicism and Swedish Grace. Its creation was a result of a close collaboration between Tengbom and Sweden’s top artists, including Carl Milles, Isaac Grünewald, Simon Gate, Carl Malmsten, and Elsa Gullberg.

Function meets elegance

The Matchstick Palace houses four floors above ground and one below, encompassing over 20 executive rooms, meeting spaces, kitchens, dining halls, a director’s bathroom, archives, laboratories, 24 vaults, and a matchstick museum — the only one of its kind at the time.

Floor plan of the original second-floor design by Tengbom. Photographer: Holger Ellgaard

A royal entrance

The façade features a palatial rusticated exterior, with a portico entrance framed by 14 Egyptian-style granite columns surrounding a central courtyard. The ground floors are clad in Kolmården marble, with upper levels plastered with marble powder. This classical grandeur extends to details such as Prometheus inlaid in the stone flooring and bronze sculptures of wild boars and deer flanking the entrance.

An icon of architectural harmony

Inside, Tengbom orchestrated a seamless collaboration between artists and craftsmen. Details like mahogany panels, custom furniture by Carl Malmsten, and textiles by Elsa Gullberg echo the building’s themes of fire and stars, drawn from Kreuger’s matchboxes.

Grünewald’s mural “Dawn” adorns the conference room. Photographer: Holger Ellgaard

Technical pioneering

Among its cutting-edge features were electric letter lifts, a central clock system, and one of the first loudspeaker telephones globally.

Today, the Matchstick Palace is listed by Stockholm’s City Museum, symbolizing Tengbom’s vision of uncompromising quality and serving as a beacon of Swedish architecture.

Garage, circa 1929. Photographer: Unknown

Contact person

Mia Lindberg

+46 8 410 354 93

Velodrome

For cycling and multisports
Architecture velodrome
Architecture, Urban Development
Idea & Vision, Sports & Health
Location: Jönköping
Year: 2024
Type of Project: Vision
Status: Declaration of Intent approved by the municipality, April 2024
Visualizations: PLAY-TIME Barcelona

From a distance, it resembles a hovering vessel. But inside, the proposed velodrome is designed to host cyclists from around the world, while also functioning as a multisport arena for concerts and exhibitions. The proposal also includes an adjacent 80-room hotel. A vision developed by Tengbom.

Tengbom is responsible for the conceptual design of the velodrome in Jönköping. As of April 2024, the municipality has approved a declaration of intent, marking the first step in the construction process. The multi-arena, including the velodrome and hotel, is planned for Hedenstorp, just a ten-minute bike ride from downtown Jönköping.

“We are crossing our fingers that this project becomes a reality,” says Matt Patterson, Office Director and Architect at Tengbom in Jönköping, who has been involved in the project since its inception alongside Jonas Marculescu, Simon Fast, and Erik Wingquist.

Local materials, local craftsmanship, local expertise

What would a velodrome be without Småland timber?

The design concept suggests a wooden structure or a hybrid of timber columns and concrete slabs. Timber, a vital material for transitioning to a carbon-neutral world, also promotes health and well-being while reflecting Småland’s traditions in architecture, craftsmanship, and industry.

“Timber ties the design to Småland’s identity—geographically, historically, and industrially,” Matt explains.

With major timber industries in the region, the project can minimize transportation emissions from raw materials to prefabricated components. The design includes timber facades for both the velodrome and the hotel. Green roofs with sedum and solar panels will enhance both buildings. Sedum improves rainwater absorption and cools the rooftop microclimate, which helps solar panels operate more efficiently on warm days.

An attraction boosting public health

Jönköping has strong ties to cycling, notably through the Vätternrundan race. Centrally located in Sweden, 93% of licensed cyclists live within a 300-kilometer radius of the city.

Sustainability x innovation

Proximity to the Vattenledningsområdet recreational area increases accessibility for city residents. The velodrome, with its distinctive design, becomes a landmark for Jönköping, contributing to Hedenstorp’s identity.

“Building with local materials, manufacturers, and expertise also strengthens Jönköping as an innovation hub for timber construction and sustainable architecture,” concludes Matt.

Contact person

Matt Patterson

Lead Architect
+46 36 440 90 81

The National Archives in Härnösand

A place for democracy and cultural heritage
Architecture, Landscape
Offices, Parks, Play & Public Spaces
Client: Specialfastigheter
Area: 35 000 sqm
Project duration: 2020 – ongoing
Collaborators: PEAB
Sustainability certification: Miljöbyggnad Guld
Photographer: Felix Gerlach

Set amidst the blue-tinged heights of Höga Kusten, the National Archives in Härnösand draws its identity from the surrounding landscape of pine forests, red granite, and wood. This new landmark is not just a repository of records but a bastion of democracy and a celebration of cultural heritage.

The artwork Behållarna by Salad Hilowle is carved into the wooden walls.

Located in Saltvik, north of Härnösand, the site boasts a commanding view of Älandsfjärden. Approximately 100 employees will work here alongside 258,000 shelf meters of archived material.

“Our vision revolves around timelessness,” says Pontus Eriksson, lead architect at Tengbom. “Sustainability and openness are core values in this project. We designed a timeless structure linking the archival section with an office building through an atrium and a welcoming visitor area.”

A historical site modeled in 3D

The exterior design combines classical aesthetics with a modern touch. The archive section, constructed of concrete, ensures compliance with fire and climate control requirements and allows for future expansion.

“This is a substantial building set in a sloping natural landscape,” explains landscape architect Jenny Söderling. “We used 3D modeling extensively to ensure it integrates harmoniously and sustainably with its surroundings.”

The interplay between the building and the landscape is further emphasized in the facade design and the patterned paving.

Höga kusten’s red granite

The concrete incorporates Ångermanland’s red native stone, Nordingrå granite. Its red hue is visible from a distance, guiding visitors to the right place. The surrounding landscape is reflected in the interplay between the building and nature, both in the facades and the repetitive patterns on the ground.

“Incorporating local stones into the paving brings Höga Kusten’s rugged cliffs to life,” adds Jenny. “Irregular stone slabs were used in the paving, evoking a sense of nature breaking through the structured surfaces.”

Warmth in wood and greenery

Contrasting the concrete archive section, the office portion features wooden construction with a glulam facade stained in reddish tones.

“Tengbom has beautifully captured the essence of our natural surroundings,” says Håkan Viklund, Project Manager at the National Archives. “It’s a landmark for both Härnösand and the entire region.”

The exterior features a diverse range of natural elements and vegetation, with green spaces around the building designed to mimic nature. Rain gardens—lush, soft areas—will manage stormwater and provide contrast to the harder surfaces used for heavy transport and deliveries. A layer of crushed stone and gravel softens the parking area.

Climate-smart and high-tech at the National Archives

Solar panels, green roofs, and the aim to certify the National Archives under the Miljöbyggnad Guld standard are key components of its sustainability ambitions. High-tech solutions ensure optimal indoor climate control and fire safety. The Swedish Tax Agency will also share the premises, allowing two government agencies to work flexibly under one roof. The public area on the ground floor includes an auditorium, conference rooms, and a four-story reading room.

“This is a response to the pandemic. Many government agencies are now rethinking their spaces to accommodate hybrid meetings, hybrid work models, and the ability to offer remote work,” explains Håkan Viklund. “Personally, I’m glad we can still meet in person, and Tengbom has made that possible for us.”

A democratic memory bank

Archives may seem outdated today—are we really still collecting paper? Yet, under Swedish constitutional law, archives are a vital tool for ensuring public transparency. Making materials accessible and digitized also supports research and development.

“In today’s world, where democracy is under pressure in many places, an archive is a democratic institution,” says Pontus Eriksson. “It preserves the world, serving as a cornerstone of democratic society.”

Contact person

Pontus Eriksson

+46 8 412 52 60

Stjärnorp Castle Ruins

Where architecture meets restoration
Architecture, Cultural Heritage
Building Preservation & Restoration, Culture, Heritage Expertise, Renovation & Transformation
Client: Private
Years of construction: 2014–2022
General contractor: Miljöbyggarna Entreprenad i Linköping
Developer: Slottstornet AB
Building antiquarian and conservator: Tyréns Sverige AB
Photographer: Felix Gerlach

Stjärnorp Castle Ruins is not only an important cultural heritage site but also a beautiful example of how contemporary architecture can enhance and highlight historical buildings. Led by Erik Wikerstål from Tengbom as the chief architect, the project has been praised for its sensitive balance between preservation and renewal.

Since 1789, Stjärnorp Castle Ruins, located just north of Linköping, stood unprotected following a devastating fire. Through extensive restoration and modernization, it has been safeguarded against further decay and prepared for future generations. Today, the ruins play a significant role in the cultural and tourism landscape of Östergötland.

Award-winning craftsmanship

The restoration of Stjärnorp Castle Ruins has received widespread recognition, earning the Östergötland Architecture Prize in 2023. The jury commended it for “exploring the boundary between restoration and architecture and how we approach our cultural heritage.” Indeed, the restoration has been characterized by exceptional craftsmanship, with every detail executed with great care and respect for history.

Protective roof and elegant interiors

The ruins have been fitted with a discreetly integrated roof that shields the historic walls without impacting the exterior aesthetics. Inside, visitors are greeted by an elegant interior where modern materials such as wood, corten steel, and glass emphasize the original architectural features.

The large window openings now feature individually designed glass panels. Each panel is precisely tailored to fit the uneven shapes of the walls. The balance between history and modernity is both striking and subtle. This is evident in the newly added spiral staircase in the tower and the carefully crafted corten steel details.

“We aimed to create something that feels contemporary while rooted in the ruin’s history. The goal was for the old and the new to enhance one another, and I’m very pleased with the result,” explains Wikerstål.

Good architecture makes cultural heritage accessible

The restoration of Stjärnorp Castle Ruins shows how architecture can make cultural sites more accessible. Careful interventions have given the ruins a new function as a destination. More visitors are drawn to the area, while the project demonstrates sustainable restoration in practice.

“We hope that Stjärnorp Castle Ruins will become a place where people can meet and experience both the past and present in a unique way,” Wikerstål concludes. “By securing the ruins for the future, we ensure that coming generations can share in our collective cultural heritage.”

Awards and nominations

Stjärnorp has been shortlisted for the EUmies Award 2026 – Mies van der Rohe. The EUmies Awards were established in 1988 by the Fundació Mies van der Rohe and the European Union to recognise architecture that strengthens the interaction between culture, society, and creativity in Europe. The award celebrates projects that, in various ways, bring together the built, the human, and the natural, enhancing the quality of the environments in which we live. Stjärnorp Castle Ruin also received the Östergötland Architecture Award 2024.

Contact person

Erik Wikerstål

Architect
+46 42 19 48 56

Borås Congress

A transformed meeting house
Architecture, Interior Design
Building Preservation & Restoration, Culture
Client: City of Borås
Location: Borås
Assignment years: 2012-2019
Awards och recognitions: Nominated for the Borås City Urban Design Award 2022
Photographer: Åke E:son Lindman

It began with a simple sketch amidst fierce international competition, and the rest is history, and the future. Originally built in 1939 as Folkets Hus in Borås, the building was refined by Tengbom and reopened in 2018 as Borås Congress – a modern conference facility that preserves the values of its past.

Following a challenging prequalification process involving 60 architectural firms from around the world, Tengbom advanced to an invited design competition. The battle for Borås Congress had begun in earnest, and it was time to flex some muscles – or was it? Amidst advanced visualizations and meticulously packaged concepts, a simple hand sketch by Bo Karlberg stood out. In 2012, it became clear that the assignment was ours.

We were entrusted with the project because we understood both the architecture and the business.

“The proposal focused on developing a state-of-the-art conference facility for the entire region, restoring Gunnar Nilsson’s modernist entrance motif, and maintaining the building’s role as a community gathering place in Borås,” Bo explains.

Borås CongressBorås Congress

Accessible and flexible for all types of meetings

While the starting point for the project was preservation, the goal was to create a modern meeting place. Today, Borås Congress is one of the few Swedish buildings specifically designed for meetings, as opposed to many concert halls and arenas across the country.

The facility offers everything from intimate rooms for small gatherings to larger conference spaces for up to 1,000 guests. The building’s character is present throughout, as are its newfound flexibility and accessibility. The number of levels in the block was reduced from 36 to just 7 (!), and the floors were designed to allow for multiple events of different kinds to occur simultaneously.

Borås CongressBorås Congress

Borås Congress – a bridge between past and present

The new congress building spans an entire block across four volumes. Along Österlånggatan, Gunnar Nilsson’s bold entrance motif – carefully restored from layers of 1980s cladding – once again aligns with the iconic functionalist buildings of Borås.

Along Allégatan, the architecture adopts a more subdued and scaled-down character. In contrast, the new performance and hall volume, with its main entrance facing Robert Nilsson’s Place, makes a bold impression. Its shimmering facade of gold-anodized expanded metal stands out against a deep blue backdrop.

At the transition between old and new lies the glass wedge housing the congress foyer. Here, stucco lustro, an ancient Italian marbleizing technique, meets ultramodern pre-printed glass railings. The result is a meeting place that is both exciting and symbolic.

“It’s a powerful feeling to see visitors gathering and connecting here today,” Bo concludes. “That has always been the goal of the project for nearly a decade: the meeting of people.”

Contact person

Jerker Kryander

Practice Director
+46 73 524 90 28

Lammenranta Parking Garage

Park in wood
Helsinki
Architecture
Infrastructure
Client: KSBR AB
Location: Lammenranta, Finland
Completion: 2024
Collaborative partner: Keski-Suomen Betonirakenne Oy
Photographer: Anders Portman/ Kuvio Oy

How often do you stop to admire a parking garage? In Lammenranta, there’s every reason to do just that. With its timber facade and sustainable construction, the new parking garage challenges the preconceived notion of gray concrete blocks. This is where modern technology meets traditional craftsmanship, resulting in a building that blends seamlessly into the cityscape while actively contributing to it.

Lammenranta

“Together with Keski-Suomen Betonirakenne Oy, we won the architectural competition for the parking garage,” says Marcus Heinänen, Project Manager at Tengbom in Helsinki. “The new parking garage will be an important part of the cityscape and is designed to meet the high sustainability standards critical for the future of urban development.”

Architecture that stands the test of time

With its solid timber facade of cross-laminated timber (CLT), the new Lammenranta parking garage dispels the myth of the traditional “hard” parking structure. To withstand both weather and fire, spruce – a sustainable and locally sourced material – has been treated and used. The facade will age naturally, developing a refined appearance over time.

“Wood is a fantastic material to work with. Not just from an aesthetic perspective but also because of its low carbon footprint. It’s sustainable, durable, and helps create a warm and inviting atmosphere. Additionally, we’ve been able to use long spans in the construction, making the building extra stable and functional,” Marcus explains.

Lammenranta

Accessible and energy-wise

The parking garage maximizes energy efficiency with solar panels on the roof, generating electricity during the summer months. It offers 265 parking spaces, including 11 accessible spots, ensuring it meets diverse user needs. A separate triangular wing on the ground floor will house commercial spaces. This addition will help create a vibrant street life around the garage.

Wood for the climate and local craftsmanship

Wood is a cornerstone of Tengbom’s sustainability strategy, reflected in many of our ongoing projects. For us, it’s more than just a climate-smart building material. It also supports local craftsmanship and paves the way for innovation.

Lammenranta

Contact person

Milla Lindroos

VD Tengbom Finland
+358449769164

Kämpasten Conference Center

From ash to aurum
Kämpasten
Architecture
Hotels & Meetings
Client: Stockholm School of Economics Executive Education
Location: Kämpasten, Sigtuna
Completion year: 2024
Gross Aaea: Approximately 2,000 sqm
Photographer: Erik Lefvander

Nestled on a forest-clad northern slope by Lake Mälaren, not far from Sigtuna and Arlanda, lies the Kämpasten Conference Center. This is where business leaders from the Stockholm School of Economics’ Executive Education program come to further their knowledge. After the kitchen and dining hall were destroyed in a fire, Johan Sundberg Architects, in collaboration with Tengbom, were commissioned to design a new main building – one that exudes strength and presence.

Kämpasten
Kämpasten

Initially, the project involved developing a master plan for the facility. The center is organized around a “bygata” or village street, a concept originating from the original competition proposal in the 1980s. The plan emphasizes preserving the character of the site, its forest and water, while enhancing the sensory experience of Kämpasten.

“Spatial experiences, materiality, connection to nature, the interplay of light, and other architectural elements were to combine to create an atmosphere that fosters a deep connection to the place, enhancing participants’ sense of presence,” explains Johan Sundberg, lead architect.

Vision and a client that values architecture

Before the fire, the only building deemed worth preserving without significant renovation was the communal kitchen and dining hall. Tragically, this building burned to the ground in summer 2020, just before the new plan was set to be presented. The assignment expanded to include designing a completely new main building. After multiple visits to the ruins, the placement of the new structure was adjusted accordingly.

“Every building is a new prototype and requires flexibility and ongoing dialogue. But the project’s success is also due to the Stockholm School of Economics’ understanding and appreciation of architecture,” says Johan Sundberg. “Our vision was to create a destination that highlights the unique qualities of the site, making Kämpasten a special place for executive education.”

A respectful collaboration to achieve excellence

After Johan Sundberg developed the architectural concept for the new main building, Erik Gardell from Tengbom joined the project to take it from design development through construction.

“Our backgrounds differ, but our perspectives on architecture are similar,” says Erik Gardell. “We’re both generalists who can adapt our roles depending on project needs. For Kämpasten, structure and role clarity were crucial to the collaboration and contributed to the excellent results.”

“Erik’s team clarified and refined the concept,” says Johan. “Our collaboration strengthened and improved the project rather than simplifying it. With our shared language and reference framework, we successfully enhanced the inherent quality of the project.”

A building in harmony with nature

The new building deviates from the footprint of its predecessor, creating views over a terraced square where the old structure once stood. Built into the slope with three varying floor levels, the design follows the natural contours of the landscape. The interior captures the surroundings with a shift in the floor plan’s angle. A large hipped roof ties the new structure to the rest of the campus while remaining below the treetops. A central spine wall separates the guests’ dining and conference areas from the large kitchen. The slight misalignment of the roof lines introduces skylights that channel daylight into the building’s core.

“It was obvious that the structural frame should be made of wood, visible as a post-and-beam system. Not as a series of walls with openings,” Johan notes.

The upper floor is open, offering sweeping views of the forest and lake, while the ground floor is more intimate, with enclosed spaces, smooth timber ceilings, carpets, and a direct connection to the earth.

Vision and a client that values architecture

Kämpasten

Before the fire, the only building deemed worth preserving without significant renovation was the communal kitchen and dining hall. Tragically, this building burned to the ground in summer 2020, just before the new plan was set to be presented. The assignment expanded to include designing a completely new main building. After multiple visits to the ruins, the placement of the new structure was adjusted accordingly.

“Every building is a new prototype and requires flexibility and ongoing dialogue. But the project’s success is also due to the Stockholm School of Economics’ understanding and appreciation of architecture,” says Johan Sundberg. “Our vision was to create a destination that highlights the unique qualities of the site, making Kämpasten a special place for executive education.”

A respectful collaboration to achieve excellence

After Johan Sundberg developed the architectural concept for the new main building, Erik Gardell from Tengbom joined the project to take it from design development through construction.

“Our backgrounds differ, but our perspectives on architecture are similar,” says Erik Gardell. “We’re both generalists who can adapt our roles depending on project needs. For Kämpasten, structure and role clarity were crucial to the collaboration and contributed to the excellent results.”

“Erik’s team clarified and refined the concept,” says Johan. “Our collaboration strengthened and improved the project rather than simplifying it. With our shared language and reference framework, we successfully enhanced the inherent quality of the project.”

Kämpasten

A building in harmony with nature

The new building deviates from the footprint of its predecessor, creating views over a terraced square where the old structure once stood. Built into the slope with three varying floor levels, the design follows the natural contours of the landscape. The interior captures the surroundings with a shift in the floor plan’s angle. A large hipped roof ties the new structure to the rest of the campus while remaining below the treetops. A central spine wall separates the guests’ dining and conference areas from the large kitchen. The slight misalignment of the roof lines introduces skylights that channel daylight into the building’s core.

“It was obvious that the structural frame should be made of wood, visible as a post-and-beam system. Not as a series of walls with openings,” Johan notes.

Kämpasten

Movement and light in Kämpasten’s floor plan

Kämpasten

Between the timber columns, glass panels dominate, with filled sections only where necessary. The roof structure, resembling the veins of a leaf when viewed from below, adds a natural touch. Concrete is used for the foundation and stabilizing walls, clearly delineating these elements. To meet the span and technical requirements of the kitchen, a cast-in-place intermediate floor was implemented.
The building layout encourages movement and circulation between dining halls, lounges, and conference rooms. A centrally located staircase channels daylight to the lower level.

Sensory and natural

The team used untreated pine and spruce for the façade, structure, and ceilings, while finishing the interiors with ash and oak. Limestone flooring and exposed concrete complement the material palette. The building’s façade elements, metalwork, and fittings feature lacquered metal. Designer Pierre Sindre added tactile furnishings and textiles made from natural materials.

“We’ve remained true to the project’s narrative and shared vision throughout,” says Erik. “The collaboration has taught us much—not least the importance of clear communication and the courage to follow one’s ideas.”

“Trusting each other’s reasoning was immensely valuable,” Johan adds. “One must dare to discuss and reveal ideas to create the best architecture.”

Awards and nominations

Kämpasten is nominated for the EUmies Award 2026 – Mies van der Rohe. Since its launch in 1988, the EUmies Awards have highlighted architecture that strengthens the connection between culture, society and creativity across Europe. The prize celebrates projects that unite the built, the human and the natural — and in doing so, raise the quality of the environments we live in. In addition, Kämpasten is also a nominee for the 2025 Sigtuna Municipality Architecture Prize. Featured in Dezeen 2026.

Contact person

Erik Gardell

Lead Architect
+46 8 410 354 72

Helsingborg Central Station

A landmark that defines the city
Helsingborg Central Station
Architecture
Infrastructure, Offices
Client: Wihlborgs
Location: Helsingborg, Sweden
Assignment years: 2012-2022
General contractor: Bonnava
Photographer: Felix Gerlach

The revamped Helsingborg Central Station, with its addition of modern office spaces, marks the beginning of an extensive urban development initiative in Helsingborg’s new southern city center. Together with the Oceanhamnen district and the future H+ urban development area, Helsingborg C unites the city into a sustainable, strategic hub for growth.

Helsingborg Central Station

As one of Sweden’s largest transportation hubs, Helsingborg Central Station serves as a nexus for bus, ferry, and train services, with approximately 23,000 daily train passengers. A number expected to increase significantly soon. The building also houses restaurants, shops, and offices. By expanding the existing facility, property owner Wihlborgs aimed to create state-of-the-art, environmentally friendly office spaces at the city’s most connected location. Their ambition extended to enhancing the functionality of the transportation hub while transforming it into a building the city could take pride in – a facility that meets the growing needs of the city and its people.

From zoning to execution

At Tengbom, we were tasked with realizing the vision for the new Helsingborg C, spanning all project phases from detailed planning to final construction across several sub-projects. The development occurred in two stages. The first, Hamnhuset, was completed in spring 2016, adding five floors with 8,000 square meters of modern, cohesive office spaces. When the second phase, Stationshuset, was finished in 2022, the transit center had been modernized and complemented with an additional 1,000 square meters of office and commercial space.

“We’ve worked with Helsingborg C, formerly known as Knutpunkten, from the planning phase onward, maintaining a dialogue with Wihlborgs and Helsingborg municipality. By focusing on site studies, core values, and project goals in a collaborative modeling process, we developed a comprehensive volume study and vision sketch, which formed the foundation for the new zoning plan. After its approval, we were entrusted with refining the project through every stage,” says Patrik Ekenhill, lead architect.

The new Central Station provides Helsingborg with a refreshed and distinct identity.

A contemporary identity for Helsingborg

The local office’s wide-ranging expertise, from design to advanced technical solutions, proved pivotal in delivering this project. Our long-standing collaboration with Wihlborgs also enabled us to handle interior design and tenant customization.

“This collaboration with Tengbom has been outstanding,” says Peter Siroky, property manager at Wihlborgs. “With Patrik Ekenhill leading this project, Tengbom has shown remarkable sensitivity to our needs, adapting the design to deliver results that satisfy all parties involved.”

Complexities of a busy hub

Handling a project of this complexity required a multidisciplinary approach, incorporating urban planning, architecture, and interior design. The station remained operational throughout construction, with over 40,000 people passing through daily, demanding a streamlined timeline. To meet these challenges, the construction used a prefabricated system with a steel column-and-beam structure and hollow-core slabs, creating flexible, column-free office spaces. The facade features prefabricated glass modules, reducing installation time and boosting energy efficiency. The project also achieved the prestigious Miljöbyggnad Guld certification for environmental sustainability.

Hamnhuset: a floating addition

Located at the heart of Helsingborg, the facility is a dominant structure. To soften its presence, we designed two distinct buildings: Hamnhuset and Stationshuset. Hamnhuset features a five-story addition with a glass-and-metal facade. The structure appears to float above the original terminal, parking garage, and office spaces. Its design blends with the cityscape and waterfront. A bronzed stainless steel facade adds depth, shifting with the changing light.

“We appreciated Wihlborgs’ long-term thinking in choosing high-quality materials,” says Patrik Ekenhill. “The bronze facade is estimated to last around 100 years, adding both sustainability and a timeless character to the building.”

Stationshuset: a space for the city

The second phase, Stationshuset, is Helsingborg’s most public space, representing an even more demanding transformation. The design focuses on improved security, better flow, new commercial spaces, and a distinctive identity. The glass volume contrasts with the city’s traditional stone architecture, featuring expansive transparency and warm materials like wood and bronze.
Inside, new levels were created to optimize space, including coworking areas and a lively second-floor dining destination. The architectural design balances functionality with a warm, natural aesthetic, welcoming travelers into a modern, human-centered environment.

Helsingborg C
Helsingborg C by night

A sustainable future

Helsingborg lacked this type of vibrant, station-adjacent space. With Tengbom’s involvement, Wihlborgs has significantly enhanced the property’s value and revitalized the area. More people now move through the space, improving the perception of safety at the station and its surroundings. Connections to Oceanhamnen and the H+ area strengthen Helsingborg Central Station as a sustainable, strategic growth hub. The result is a fresh and cohesive identity for the city.

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Midsommarkransen Elementary School

A fire station turned into a school
Midsommarkransens elementary school
Architecture, Cultural Heritage, Interior Design
Education, Renovation & Transformation
Client: Skolfastigheter i Stockholm AB, Sisab
Inauguration: 2023
Location: Midsommarkransen, Stockholm
Gross area: Approximately 14,000 sqm, including 2,000 sqm of renovation
Photographer: Felix Gerlach

The former fire station in Midsommarkransen, built in the early 1940s, has been converted into a school for over 1,000 students. The building maintains a contemporary look, drawing inspiration from the fire station’s original architecture while emphasizing its function as a public building. Welcome to Midsommarkransen Elementary School.

Midsommarkransens skola

Tengbom’s assignment was to integrate the heritage-protected buildings with a modern structure, balancing aesthetics and functionality.

“We solved the equation by placing the five-storey school building behind the preserved wagon hall of the old fire station,” explains Pontus Eriksson, lead architect. “Meanwhile, we transformed the wagon hall into a school canteen with a preschool class above, seamlessly connected to the new main building.”

In this way, the wagon hall retains its historically significant facade as a backdrop at the Bäckvägen-Tellusborgsvägen intersection. The adjacent administration building has also been carefully restored.

High functionality while preserving nature

The new rectangular structure consolidates the school’s spaces across five compact floors. This design preserves much of the natural site, including a centuries-old oak tree and a neighboring wooded area. The area behind the school building has been transformed into a schoolyard that borders the Enbacken Park, complete with natural walking and cycling paths. The connection between these two areas enhances the neighborhood’s appeal for both the public and students, fostering shared use of the schoolyard and park.

Illustration of the school and schoolyard

Thoughtful material choices reflecting historical elements

The fire station’s cultural buildings are classified as green-protected, requiring consultation with a conservation officer. Tengbom’s task was to design a contemporary building that underscores its significant function within the community. But also while respecting the original architecture.
The preserved structures have been meticulously restored using original materials such as slate, brick, and wood. The new school building complements these with modern materials in a harmonious colour palette.

Midsommarkransens skola

A public building designed to stand out

The light sand-coloured concrete facade harmonizes with the surrounding buildings. Parts of the facade feature a bold, undulating relief pattern, lending the structure character and creating dynamic shadows that shift with the angle of the sunlight.

White concrete frames highlight the two entrances, positioned at opposite corners of the building. Their design draws inspiration from the lower sections of the wagon hall. The fifth floor features a lightweight structure clad in light bronze-coloured aluminum. It serves as a creative cluster for all arts-related subjects.

The roof includes a terrace with a pedagogical outdoor space. Aluminum-framed windows with deep relief profiles add an aesthetic touch while providing sun shading.

In January 2023, the school welcomed its first students.

Midsommarkransens skola

Awards and recognitions

Midsommarkransen Elementary School received a ‘Highly Commended’ distinction in the Inside Education category at the World Architecture Festival 2024. The project was also a finalist for Stockholm Building of the Year 2023

Contact person

Pontus Eriksson

Lead Architect
+46 8 412 52 60