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Competition proposal for a mortuary

Day by day
Architecture
Culture
Client: Markaryd Parish
Location: Markaryd
Project Type: Competition proposal, Mortuary
Year: 2024

A farewell is often a delicate moment. How can architecture support and frame the dignity it requires? In our competition proposal for the mortuary at Markaryd Church, we let architecture and landscape intertwine. Inspired by nature and the church’s design, we proposed a building that becomes a natural part of its surroundings — calm, respectful, and timeless in its expression.

The selected site is a key part of the proposal. Here, oak and pine meet, open grasslands transition into the forest, and the gently sloping land leads down to the lake. We drew from the site’s natural layers and existing landscape elements—such as stone walls and circular gathering places—to design a building that both embraces what is already there and enhances the character of the place.

Robust and timeless architecture that resonates

The building is carefully placed to maintain its connection to the viewing house while establishing its own identity. A subdued material palette of concrete, wood, and zinc conveys a sense of permanence and warmth. The cast-in-place concrete, with exposed aggregate, creates a living surface where shadows shift across the façade throughout the day. Vertical wooden panels in heat-treated pine provide a soft contrast to the concrete, while the sedum roof and solar panels add sustainable qualities.

A place to meet and say goodbye

The building was designed to provide clear yet discreet guidance through its spaces. Visitors arrive via a tranquil walkway and are welcomed by a distinct entrance with an arched canopy that conveys a sense of security and presence. The farewell room has sacral qualities, with generous daylight filtering through curtains, wooden walls, and granite flooring. An intimate outdoor space offers visitors the opportunity to say their goodbyes embraced by nature, with a view extending towards the lush forest and the lake.

“Help me then to rest securely and calmly, relying solely on Your promises, dear Lord. Let me neither lose my faith nor the comfort preserved for me in Your Word. Help me, Lord, to accept whatever comes from Your faithful fatherly hand, day by day, one moment at a time, until I reach the promised land.”

Psalm 249, Verse 3, Day by Day and With Each Passing Moment

Sustainability and longevity

By working with prefabricated concrete elements, we aimed to ensure high precision and a shorter construction time. At the same time, the structure provides good insulation and a long lifespan with minimal maintenance. We optimized the roof drainage at three points to simplify upkeep. We also integrated a smart solar panel system that supports a long-term sustainable energy supply.

A project we are proud of

Even though our proposal did not win the competition, we see it as an important and beautiful project worth highlighting. We show our ambition to create architecture that is deeply rooted in its site through a respectful and well-thought-out design. A design where every detail contributes to the whole, always considering the budget and constraints in place.  Markaryd Church deserves a new mortuary building that honors the significance of farewells with care. We are proud to have had the opportunity to contribute our thoughts and ideas. Congratulations to SESAM Arkitekter for winning the competition!

Contact person

Matt Patterson

Practice DirectorJönköping
+46 36 440 90 81

St Eriks memorial grove

Swinging towards the sky
Landscape
Culture, Parks, Play & Public Spaces
Client: Svenska kyrkan
Location: Sollentuna, Stockholm
Project years: 2014 - 2017
Photography: Tengbom

“I just want to swing my sorrow away,” said a child during the impact assessment we conducted before designing the memorial grove at St Eriks Church in Sollentuna, just outside Stockholm. These words stayed with us as we created a space for reflection and peace.

A room within the room.

A room within a room

Nestled in a quiet residential area of Tureberg, St Eriks Church has stood on the crest of a hill overlooking Edsviken since 1927. Surrounded by meadows and offering sweeping views of the water, it is a place rich in history – but until recently, it lacked a burial ground. In collaboration with the Church of Sweden, we changed that by creating a memorial grove.

A place for everyone

The vision for the site was clear. It was to be more than just a final resting place. The church wanted a space that could accommodate ceremonies of all kinds – weddings, funerals, and christenings.

Accessibility was key, as was the decision to keep the space free from religious symbols, making it open to people of all backgrounds, beliefs, and ages. A shared space for contemplation and connection.

A place for reflection.
The circular wall encloses the cremation grave site.

Designed with children in mind

To understand how children might experience the space, the Church of Sweden conducted an impact assessment, inviting them to share their thoughts and drawings. In one of the interviews, a child simply said, “I just want to swing my sorrow away.” And so, the idea of a swing was born – a secluded place to sit, suspended between sky and water.

Swedish granite and black steel

The design centres around Swedish granite, shaped into strong geometric forms, complemented by black steel. These materials not only blend seamlessly with the historic setting but also mirror the granite elements of the church itself.

A circular stone wall encloses the memorial grove, creating an intimate and sheltered atmosphere. Flowerbeds and seating areas invite visitors to pause, while the view towards the water remains ever-present. From the outside, the structure resembles a fortress – solid and protective.

A raised granite water channel, with a gentle cascading flow, symbolises eternity and the cycle of life

A swing to the heavens

One of the first things you notice upon arrival is the swing. Framed like a gateway to the sky, it becomes a focal point of the site. Sitting on it, legs dangling, the view stretches out over the water. A playful yet profound element in a space of remembrance. One that has also become a popular spot for wedding photos.

More than just design

Our role was not only to design a meaningful and welcoming landscape but also to navigate the complexities of creating a memorial grove in a heritage-protected area. This involved extensive planning, documentation, and applications to regional authorities. From illustrations to formal approvals, we guided the process every step of the way – combining design with project management.

In 2017, Reverend Lasse Svensson officially inaugurated St Eriks Memorial Grove.

St. Erik’s Church in Sollentuna dates from 1927.

Contact person

Anders Brandstedt

+46 704 02 79 60

Bergius Botanic Garden

A chlorophyll-filled assignment
Cultural Heritage, Landscape
Accessibility, Culture, Heritage Expertise, Parks, Play & Public Spaces, Renovation & Transformation
Client:
Year: 2019 -
Area: 60 hectare
Assignment type: General consultant assignment
Builder and partners: Statens Fastighetsverk
Photography: Felix Gerlach

A plant museum. That’s one way to describe Stockholm’s Bergius Botanic Garden, where Katarina Enekvist at Tengbom is in-house architect on behalf of the National Property Board of Sweden. Here, you can visit the giant Victoria water lily, learn about everything from Nordic to tropical plants, or simply give your eyes a momentary break from the asphalt.

The Italian terrace gives space to Mediterranean flora.
View of Brunnsviken from the Italian terrace, one of the garden’s most important vantage points.

Science, botany and relaxation. The beautiful scenery of Bergius Botanic Garden is located near Brunnsviken beach in Stockholm. Visitors can discover plants from around the world: fruit and berry orchards, as well as plant taxonomy areas that show how the plants are related.

In-house architect who puts valuable environments to use

Katarina Enekvist, Restoration Architect at Tengbom, has been an in-house architect for Bergius Botanic Garden since 2019. She has many years of experience leading complex assignments in environments of cultural-historic value. As an in-house architect, it is not enough simply to be skilled in design, or to have knowledge of cultural history. It is also important to balance the historic environment with today’s demands.

Since the year 1900, the Victoria House has vaulted its glass dome over an imaginative tropical world.

Preserve and improve with subtlety

The world’s largest water lily comes from the Amazon but now also has a home in the pool in the Victoria House.

The assignment of in-house architect entails long-term responsibility. And a great deal has already happened since 2019. The team has developed the old Utsiktstornet lookout tower to bring the authentic nineteenth-century environment to life. At Victoria House, they have reviewed the construction and carried out maintenance on the glass. They will restore the garden director’s overgrown garden by the Bleket building. Workers have made difficult-to-access areas of the garden accessible by installing new, specially made iron railings and restoring the stairs and walkways. The team has created a project plan for Naturens Hus in Finnstugan, an educational space for schools and kids. Designers will clarify Bergius Botanic Garden’s various entryways with a new design, and sketches are in the works.

Builders constructed the old orangery in 1926 for the garden’s tropical plants. Today, it houses a popular restaurant.

Maintenance of the grounds and wooden buildings

In addition, working in collaboration with tradespeople and painting conservators, Katarina Enekvist has carried out antiquarian reviews and consultation on the restoration and maintenance of all wooden buildings at Bergius Botanic Garden. This work has resulted in an important knowledge base, including a care program for the grounds and buildings.

“The garden should be a place for everyone, with a connection to both the past and the present. I look forward to continuing to contribute to developing this place,” says Katarina Enekvist.

Bergius Botanic Garden and Brunnsviken seen from above.
Bergius Botanic Garden, the Stockholm Botanical Garden and the Royal National City Park.

Contact person

Mark Humphreys

Practice Director Stockholm
+46 8 412 53 43

Mimer’s Staircase

A staircase weaving together the past and the future
Landscape
Culture, Education, Parks, Play & Public Spaces, Squares & Streets
Client: Akademiska Hus, KTH Campus
Location: Osquars backe, Mimir’s Staircase KTH Campus, Stockholm
Assignment years: 2018-2021
BTA: 550 sqm
Photographer: Jansin & Hammarling
Collaborators: Bosse Ericsson, Ahrbom and Partners. Henke Gustafsson, uk, Ahrbom och Partners. Per Tinglöf och Nikki Bone, Ramböll. Claes Reichmann, Reichmann Antikvarier AB. Christer Kjellén, Stenutveckling Nordiska AB.

A staircase isn’t just a passageway — it’s a meeting place, a transition between two places, the bleachers of life. With that outlook in mind, we designed Mimer’s Staircase at the KTH Royal Institute of Technology as a place built around students’ behavior.

A wide bicycle ramp runs along the staircase’s raised terrace.

I think stairs may be one of the most emotionally-malleable physical elements that an architect has to work with. Those are the words of the architect David Rockwell in his TED talk, The hidden ways stairs shape your life”. At KTH, that theory rings true in every sense.

Mimer’s Staircase
The staircase’s flat slope and elongated design leave an unobstructed view towards Alfvénsalen, KTH’s largest auditorium.

A staircase designed for hanging out and activities

How do you create a modern, yet classic staircase that complements and celebrates KTH’s rich architectural history and student life?

“Tengbom has a long tradition of working with cultural environments. But this time, we flipped the process and started the project from the user’s perspective,” Nejra Lagumdzija, Pia Englund and Hannah Marschall, the brains behind the project, explain.

Mimer’s Staircase
Together with the landings and the granite cladding along the lower section, the varying facades, terraced ledges, and steps form a quilt-like pattern. This result comes from meticulous attention to detail in every corner, surface, and colour.

Mimer’s Staircase replaces a short, old building between Sing-Sing and the main building that previously blocked both traffic and sunlight. The staircase is a place for hanging out and for creativity and activity.

“The large field at the top of the stairs by Sing-Sing is a heavily trafficked spot, especially for architecture students. They use the field to make large-scale models and display prototypes. They also gather there for meetings and events. We hope that they will use the terraced steps of the staircase as podiums and let activities and events spread across the stairs and down towards Osquars backe,” explains Pia Englund, lead landscape architect.

Attention down to the smallest detail – tradition meets innovation

Every inch of the staircase, which is an expression of Modernism in itself, is built with the highest quality. The Swedish granite anchors the staircase in the country’s historical heritage.

“The KTH campus is filled with amazing masonry. Since the staircase consists only of granite, our design approach has been to mix different types of granite with different treatments and colours, as well as use recycled stone from the campus to really bring the staircase to life. Almost like a colour palette where every hue serves a specific purpose,” explains Hannah Marschall, landscape architect.

Mimer’s Staircase
The overarching design concept, bidirectional angular architecture and funnel-shaped staircase, where the granite slabs connect the two buildings, both recognized for their cultural historical value.

Mimer’s Staircase features four flights of stairs, framed by terraced steps. These steps connect to the buildings on either side at a 90° angle, forming a funnel-shaped stairway. The result is a modern take on KTH’s traditional style, with incredible attention to both shape and materials. We designed the staircase with an elongated and flatter structure to maximize sunlight. This creates the perfect spot for activities, relaxation, and enjoying an unobstructed view of the surroundings and sky.

With a deep focus on materials, craftsmanship, and student life, we have created a place where old and new blend seamlessly.

It represents modern expression, skilled techniques, and timeless design.

Mimer’s Staircase
At night, soft spotlights and recessed lights illuminate the staircase along the lower section.

Awards and recognitions

Mimer’s Staircase got nominated for the Stone Prize in 2022.

Contact person

Jenny Söderling

Studio Manager Landscape
+46 8 412 53 95

New entrance square at KTH

A meeting place at Campus KTH
New entrance square at KTH 2016
Landscape
Culture, Education, Parks, Play & Public Spaces, Squares & Streets
Client: Akademiska Hus
Collaborative partners: Stockholms stad, Kungliga Tekniska Högskolan
Contractor: PEAB/JVAB
Years of commission: 2010–2016
Type of project: Landscape

In 2015, the School of Architecture in Stockholm moved from their own address to the large Campus KTH. The newcomer was greeted by a new entrance square specially designed for them by Tengbom – a meeting place for the people who study and work on Campus.

For more than 25 years, we have partnered with Akademiska Hus and Kungliga Tekniska Högskolan, working on projects such as new constructions and renovations and a vision of an academic country road through campus, that improves creases the road safety and ties together the entire university campus all the way up to Albano. The project on the new School of Architecture included the task of creating an inviting entrance square, a so-called shared space area where the pedestrians have priority and where cars take third place after pedestrians and bicyclists.

Design – new construction meets a classical environment

We designed the square to connect the newly built School of Architecture, by Tham & Videgård, with the existing classical surroundings. The goal was to create a transition that felt both dignified and understated. To let the striking building stand out, we chose a high-quality paved surface. At the same time, the design had to integrate the School of Architecture into KTH Campus. Granite became the main material. It complements the Corten steel façade of the main building. Together, they create a cohesive and unified impression.

An oasis on Campus


Our landscape designers have played a key role in nearly every new construction and renovation at KTH for the last 25 years. Their work includes designing and planning land, yards, terraces, streets, and squares. They have also developed care and maintenance plans. Several of these renovations received the ROT award in 1996 and 2002.

For the entire new entrance area, we have been involved throughout the planning process. From the initial application to the final stages, we have contributed at every step. We have also prepared the necessary construction documents to ensure a seamless execution.

KTH
Photo: Sten Jansin

“KTH Campus covers a vast area, almost like its own little municipality,” says Jörgen Orback. “We designed the square in front of the School of Architecture as an inviting entrance and social meeting place. An oasis for students and staff.”

In 2015, the Kasper Salin Prize, one of Sweden’s most prestigious architecture awards, went to the KTH School of Architecture. For this project, we collaborated with the Royal Institute of Technology, the City of Stockholm, the Student Union, and Akademiska Hus.

Contact person

Jenny Söderling

Studio Manager Landskape
+46 8 412 53 95

Waldemarsudde

The legacy of Prince Eugen
Waldemarsudde 2015
Architecture, Cultural Heritage, Interior Design, Landscape
Accessibility, Building Preservation & Restoration, Culture, Heritage Expertise, Renovation & Transformation, Residential environments
Client: The National Property Board of Sweden
Location: Djurgården, Stockholm
Years of commission: 2013–2015
Type of project: House architect
Collaborative partners: LEB, Tyréns, Projektel, Brandskyddslaget
Areas of expertise: Heritage, Landscape

Waldemarsudde is a unique environment filled with great experiences. It has beautiful countryside, fascinating historical buildings and fantastic art. Waldemarsudde is primarily associated with Prince Eugen – botanist, landscape painter and art collector – who lived here in the early 1900s.

The legacy of Prince Eugen

The palace was commissioned by Prince Eugen and designed by the architect Ferdinand Boberg, and was built between 1903 and 1905. The gallery building was added in 1913 to house the Prince’s extensive art collection. Upon Prince Eugen’s death, the entire Waldemarsudde estate was bequeathed to the state, which was to manage it as a museum. Waldemarsudde is one of Sweden’s best known and most visited art museums and has been a listed building since 1993.

Waldemarsudde Tengbom 2015
Photo: Nina Broberg

Responsibility for maintenance and development

Tengbom had the framework agreement as building architect and general consultant for Waldemarsudde between 2013-2015. This meant that we were responsible for the listed building’s maintenance and development, in collaboration with the National Property Board of Sweden and the Prins Eugens Waldemarsudde Museum. We primarily worked in the areas of architecture, conservation and technical matters, as well as regulatory requirements. In conjunction with the consultant group, as building architect we carried out project planning as well as investigative assignments. We were consultants and handled such things as permit issues and long-term plans for maintenance and restoration.

Adaptation and visions for the future

One of the projects we worked on at Waldemarsudde was the extensive rebuilding of the museum shop and entrance hall, including improvements to accessibility at the main entrance, both inside and out. We focused on environmental aspects, lighting, acoustics, and both interior and exterior maintenance. The park and gardens was also part of our work. Additionally, we developed a proposal to open the old linseed oil mill to the public.

A complex project with specific challenges

The project at Waldemarsudde presented constant challenges. Working in an art museum means tackling environmental, technical, logistical, and programming demands. The focus was on adapting and refining the design to meet today’s needs while carefully preserving Waldemarsudde’s cultural value.

Close collaboration is essential

Collaboration was key throughout the process. Technical consultants and specialists joined early on. Each project within cultural environments involves close contact with managers, tenants, and authorities. Craftsmen, contractors, and other consultants also play a vital role. This demands flexibility, coordination skills, initiative, and a keen sense of the bigger picture.

Contact person

Josefin Larsson

Business Developer
+46 72 183 02 34

Park at Norra Latin

Welcoming oasis in the middle of the city
Norra Latin 2014
Landscape
Culture, Education, Parks, Play & Public Spaces, Squares & Streets
Client: AB Folkets Hus i Stockholm, Bantorget Fastighets AB
Location: Stockholm
Years of commission: 2010–2013
Type of project: Park
Contractor: AB Folkets Hus i Stockholm, Bantorgets Fastighets AB
Areas of expertise: Landscape

Restoring the park in front of Norra Latin required great care, especially because of its historical significance. To recreate the original environment, we researched drawings, photographs, and texts from archives. These sources shaped the design, even down to the selection of plant materials, which reflect the era.

Recreated historic environment

Helgo Zettervall designed Norra Latin, a stunning example of neo-Renaissance architecture , which was inaugurated in 1880 with King Oscar II and Prince Eugen among the guests. Today, the former school serves as a conference centre. Both the building and its large courtyard, added around 1914, stand as well-known and beloved landmarks in Stockholm.

Norra Latin
Photo: Sten Jansin

Restoring the park in front of Norra Latin’s entrance to Drottninggatan required careful planning, especially given its historical value. We searched old archives for drawings, photographs, and texts to guide the design. These sources shaped every decision. Even the choice of vegetation reflects the era and strengthens the park’s historical connection.

We aimed to create a tranquil oasis with inviting spaces in the city center

Lots of space to hang out in

Green rooms are very important in our cityscapes and for the project at Norra Latin we wanted to develop an inviting atmosphere with lots of space to hang out – a peaceful oasis in the middle of the city. A way to create more space was to widen the main route between the entrance and Drottninggatan using stone dust. We supplemented the row of trees along the path with herbaceous borders and created two obvious spaces for hanging out in the park, with benches, planting and hedges. The entrance space was also widened to provide room for transport and to be really welcoming.

Partnership between landscape architects and project management

Our task was to assess the park, highlight its strengths, and identify areas for improvement. This work resulted in key documents for the renovation. Our landscape architects handled planning and inspections. At the same time, our project leaders managed both the project and the installation.

Contact person

Jenny Söderling

Studio Manager Landscape
+46 8 412 53 95